As usual I began by trying out different positions for the statues. With this picture I had a more definite composition in mind from the word go. Starting with the sleeping lion I soon found places for the statues that I wished to include.
Now that the statues are well advanced it’s time to work on the background. I made a few visits to Abney Park and photographed various silver birch trees. As with ‘Rising Mist’ I decided to have the foreground flooded and considered adding various animals.
With the centre of the composition reworked the painting is now close to being completed. I’m about to take out one of the coots adding a pair of swans, a male and a female, also a nightingale, an owl and a magpie flying into the centre of the picture.
This shot shows my full palette from left to right, viridian and magenta, these two colours are very intense and I don’t often use them, the rest of the tints are my usual colours, two shades of cadmium yellow, two shades of raw sienna, alizarin crimson, titanium white, two shades of cadmium red, burnt sienna, two shades of french ultramarine and two shades of cerulean blue.
The final effect shows an imaginary place overgrown, claustrophobic and part flooded. It is a place that has been left to grow wild, trees have seeded themselves and the various statues are going green with moss and lichens. It exists at some time in the future when there are few humans left to tend to places such as Abney Park. In the middle distance beyond the woods the sun is setting in out world which leaves the viewer in this mystical environment, possibly illuminated by the moon, it is a time for contemplation on the transience of all phenonena and the mystery of life and death.
The painting below was completed several years ago and this picture underpins both ‘Rising Mist’ and ‘Fantasia on the Theme of Abney Park Cemetery’. I have two different photographic versions of this picture.